We are about to enter week eight of lockdown. Which means, for those of us with the privilege of being able to work from home, real clothes are a distant memory.

Most of us are slobbing through our days in an odd mixture of pyjamas and fitness gear, slippers with socks, bird nest hair, and absolutely, unequivocally, no bra.

But, not everyone has let their standards slide off a cliff in lockdown. Some women are still wearing real clothes – including bras, jeans, even full make-up – despite not seeing another human being in the flesh for weeks.

And they say it is making a world of difference to their mental health, attitude and overall well-being. They say there is power in wearing real clothes and making an effort – particularly when it is only for yourself.

We spoke to some of these denim-clad heroes to find out how they’re doing it, and why they are refusing to succumb to the loungewear life.

Hollie

Wearing normal clothes like jeans and makeup helps give me some routine and regularity to the situation we’re all in.

Plus, I’m still working full-time from home, so I don’t really want to go bare-faced on a video call with my colleagues. I want to maintain some professional decorum, even if it is only from the waist, up!

My eating habits have changed since lockdown, and I’m only just settling back into my usual healthy diet that would take me from Monday-Friday. Something simple like wearing ‘mom’ jeans helps me to normalise the situation. It keeps me motivated as a work outfit, and I don’t feel so stressed about weight gain because I’ve allowed myself to wear something with a bit of give in them.

I made sure not to give myself any added pressure and things to worry about from the moment we started WFH.

Niki

I put on clothes that make me feel happy to go to the Post Office in my local Tesco Metro.

I live alone and don’t see anyone, so I treat it as an opportunity to remember what freedom feels like.

I tend to wear floaty dresses, bright flat shoes, maybe some earrings.

I’m still wearing things that are super comfortable but they make me feel good and have turned something that I dreaded (leaving the house) in to a little adventure.

The sales of my art prints are what’s keeping me afloat so I have to go to the Post Office most days at the moment.

Cat

I think there are a couple of different reasons I’m still wearing real clothes.

Lockdown has given me a chance to reconnect with different parts of my creativity because I am unable to work in the same way.

I am channeling more of a festival vibe, whereas work normally means I need to dress very practically. It is kind of nice to get up in the morning and put on something from my wardrobe that might have lacked a bit of love.

I have a shed load of vintage stuff which is fun to wear but rarely gets an outing because of what I have to do in a day… I often look after young nieces and nephews.

I guess it is a self care thing too, taking the time to make yourself feel good. When it is just me and my screen why not mix it up.

Sharleen

Not only am I keeping up my nails and glam at home, I got rid of 80% of my clothes to welcome in my upgraded wardrobe.

Paying attention to beauty has helped me feel like I’m prioritising myself and looking after myself. Wearing my favourite colours cheers me up.

I also feel like I’ve been dressing and staying beautiful for me – which reflects my values – rather than trying to dress to be appropriate for others.

I threw out the other clothes because they were drab and that’s not who I am!

Amanda

I refuse to dress like a slob during lockdown. I’ve been working from home for a few years now so been dressing up to stay in, but I feel so much better if I’m showered and looking nice.

My friend who runs the village store told me I was the most stylish customer in Lockdown (not sure about that) and my husband said he can see why I bother dressing up because you get in a better mindset.

My days currently consist of home schooling and looking after my three boys and trying to run my business in the moments around that.

Lana

I work full-time as an ops manager and I feel that it’s important to present myself well, even though we are all working remotely, as it sets a good example to the team.

In general, it makes me feel 100% more productive and in the work frame of mind, other than being in loungewear/no makeup as I maybe would on a lazy Sunday.

I am often having video calls with people external from the business and the impression I wish to make is the same as if we were meeting in person, that I am a smart person who looks after myself.

Rebecca

For me wearing real clothes, especially jeans makes me feel ready for the day and most like myself.

When I try to work in pjs for example, I struggle to differentiate between my work day and home life, which is never good, especially at a time like this.

I personally find jeans super comfy and have no plans to stop wearing them no matter how long lockdown goes on for!

Stef

During lockdown, I have been dressing up and wearing a little bit of makeup every day. I enjoy wearing clothes I love and I do so for myself.

Picking an outfit I like and wearing mascara and lipstick brightens up my day, even though I only leave the house to go to the supermarket and to walk my dog and nobody sees my lipstick under a facemask.

I even wore heels in the park a couple of times!

The reason I do this is because it makes me feel good and it gives me a sense of normality and routine during not very normal times.

The only thing I let go a bit wild is my hair.

George

It’s partly for a morning routine; if I do the same things as I did on a morning travelling in to work, I find it wakes me up and my mind focuses a lot more easily on the tasks I need to tackle.

Since I work in IT/digital, my days are still very busy and I need that focus.

Dressing for the office also helps me tap into my ‘work face’ – now we are all online, the boundaries between professional and personal have become a lot more blurred, and it helps me retain a layer of between who I am at home and who I am at work.

Like moving my desk to its own corner of my flat so when I leave it, I know I am finished with the day.

I use makeup, perfume and different styles of outfit to draw lines between work, socialising and pure relaxation and help me be wholly in the moment of whatever I am doing.

Andrea

It just makes me feel more like my self.

It’s a form of self-care, I think. Much needed in these times where emotions go up and down in an instant.

And given that I work full-time and parent and study too, it helps get into the active ‘business as usual’ mindset.

I love my activewear, but I reserve that for evenings, mornings and weekends when I exercise.

Lalla

Getting dressed in the morning and putting together a great outfit for the rest of the day motivates me to get up and start the day – as does having my morning tea.

I use clothing as a means of comfort, distraction and fun. I feel making a effort helps me to feel a little better and lifts my mood, which I think is great for your mental health and self-esteem.

One of my favourite things before lockdown was buying nice pieces in charity shops, buying these pieces always cheered me up if I’d had a bad day.

Now, putting together a cool outfit in the morning instead of staying in my pjs all day makes me feel great and motivates me at the same time.

To get dressed in a nice outfit is a form of taking control and it helps structure your day, giving you a routine, which is hugely important.

Maria

Wearing real clothes to WFH really helps give me a sense of purpose and helps me get into a routine.

I found that wearing pjss and sportswear doesn’t get me in the right frame of mind for work – plus it doesn’t look so professional when we as a company are part of webinars.

I even use my handbag to help keep me organised and file away my work stuff so when the working day is done I can put it all away, keep organised, change into my loungewear and switch off.

I find this routine really empowers me to make sure that I know when my work time is and when my work time isn’t.

What do you think about abandoning bras in lockdown? We want to hear from you.

Get in touch: metrolifestyleteam@metro.co.uk.

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It’s now been nearly two months since lockdown began.

If, like us, you abandoned dressing up for the duration of self-isolation (because it’s nice to live in your pyjamas), it’s time to dig out the summer dresses.

There’s a heatwave coming, and prime minister Boris Johnson has given us the green light on having park picnics (alone or with someone from the same household).

To celebrate this small lockdown win, why not invest in a new summery dress to wear for the upcoming hot days?

We have rounded up the best floral dresses on the high street right now and you can order them all to your front door (physical stores are still shut).

From bohemian designs to show-stopping styles, here are nine summer dresses to buy in 2020.

Never Fully Dressed, £79

Green floral dresses are having a moment, and we’re particularly in love with this one from Never Fully Dressed.

It’s a tad on the pricey side but we’re not going out at the moment, so you could use the wine and brunch budget for clothes shopping.

Never Fully Dressed, which previously only held standard sizes has now ventured into plus size – this dress goes up to size 24.

Pretty Little Thing, £13.00

You don’t need to splash the cash for a decent floral number.

Pretty Little Thing’s wrap tea dress will brighten your day for the colour alone, but it’s also a versatile piece that can be worn with boots, sandals or heels.

A perfect festival dress, too. Save it for Glastonbury 2021.

The East Order, £50.50

This East Order dress, sold at ASOS, is currently on sale.

The original price was £105.00 – and who doesn’t love a bargain?

It’s unsurprisingly selling out fast, with only two sizes left: L and XL.

Boohoo, £13.50

If the loose, bohemian look isn’t for you but you still want a floral dress, Boohoo has some excellent options.

Dress it up for an at-home garden party with your housemates or pair with sandals and a sunhat for the park.

We reckon it’ll pair quite nicely with a face mask too, if needed.

Mango, £59.99

Once live gigs are a thing once again, you’ll be happy that you bought this Mango dress.

The material has the appearance of chiffon, but it’s actually polyester (which explains the affordable price).

Pair with minimal makeup and accessories – let the dress and its fantastic puffed sleeves – speak for itself.

Zara, 49.99

Out of all the dresses on our list, this Zara dress is our favourite.

It will work for different types of occasions (you know, once we all have social lives again), it has a flattering fit and the colours scream summer vibes.

We are a big fat yes on this one.

& Other Stories, £95

For something less traditionally floral, go with this purple dream from & Other Stories.

It’s the most expensive item on our list, but if you’re after a statement dress, you can’t go wrong with this one.

H&M, £24.99

It’s a ‘I’m just strolling to the farmer’s market to pick up some flower’ look.

Wear for a country walk, a picnic with your self-isolation buddy or just sit at home and admire how utterly pretty the design is.

The price is equally appealing.

New Look, £17.99

We told you green floral is in this year.

The main reason we love this dress – besides the eye-catching colour – is that you can wear it at home, in the park and, once they open up again, in the office.

Do you have a story to share?

Get in touch at MetroLifestyleTeam@metro.co.uk.

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Lockdown has got us all thinking about how we can make products last longer and two Italian designers are going the extra mile to do just that.

Milan-based designers Chiara Rivituso and Matteo Bastiani are giving a new lease of life to food packaging and delivery parcels, by turning them into incredible bags.

Product and pattern developer Chiara and leather goods expert Matteo formed their own studio back in 2011, called Camera60. But recently the pair have been working on this unique upcycling project.

Chiara tells Metro.co.uk: ‘It was all about experimentation, making bags from unusual materials. We made a capsule collection using grocery shopping bags – our intention was reuse plastic stuff in a different way.

‘On the other hand, we wanted to bring the craftsmanship leather goods details into everyday objects.’

Some of their best creations include a quilted cross-body bag made out of an Oreo wrapper, a handbag created from a Heineken cardboard box and a shoulder bag made with an Amazon Prime shipping package.

Other items include Dior-inspired saddlebag formed from a Corn Flakes cereal box and a bag made out of an Italian cookies packet.

Chiara adds: ‘Creating connections between everyday objects and leather goods shapes is something we do very instinctively. We exchange our ideas, we match them, it’s a continuous work in progress.

‘Once we have clearly the idea of what we want to do, making a bag could take one day or one day and a half. We can consider that making a bag with leather and with paper could take the same time.’

While the bags aren’t currently for sale, the duo have created a pattern for one of their designs, which is available on the studio’s website. They’ve also put out a video tutorial on their Instagram page.

The pair hope their work will inspire others to make the most out of materials found around the house.

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Today is World Goth Day, where gothic people receive more attention and celebration from the mainstream than they would usually. It should be a day where people like me feel seen. Only, I don’t.

I’ve noticed that goths of colour, year after year, are rarely part of the discussion. It’s been the story of my life, so it’s not particularly surprising.

It was something I learned quickly. The dark clothes, facial piercings, vibrant hair colours, band t-shirts, the rock festivals, the mosh pits, the music, the art, the entire form of self-expression… just wasn’t for black people.

We’re meant to listen to R&B, hip-hop and rap, and want to emulate that culture. The messages we receive from Western culture is loud and clear. It becomes a cycle.

On one hand, minorities don’t want to participate in alternative cultures because they’re taught that it isn’t for them. They’re told this by their family, their peers, the media, by the critical remarks and social isolation. It’s both a lesson and a warning.

But when we push forward anyway, we often find ourselves in an overwhelmingly white community who don’t know how to react to black people in ‘their’ space. It means we then need to go above and beyond to show our legitimate interest, just so we can learn to tolerate racial ignorance and remarks from within the ‘in’ group, but also so we can feel some semblance of inclusion.

Pale faces are more than just the aesthetic in the goth community, they’re the password to enter. 

As a pre-pubescent, self-proclaimed rocker, I didn’t realise that interests had socially imposed racial boundaries.

I grew up in Reading, where I saw thousands of alternative people descend upon the town every year for Reading Festival. I would marvel at their platform boots and dark clothes. Rather than being perturbed by the controversial imagery of acts like Marilyn Manson, I was fascinates by its edge. I barely had my adult teeth when I decided that I wanted to look like that.

But as soon as my affinities became obvious, it seemed like everyone was sure to let me know. To the black kids, I was a ‘coconut’ – black on the outside, white on the inside. It was confusing and frustrating, but I was strong willed.

I was still absorbing the ‘be yourself’ message aimed at my age group. If changing meant more friends, but people not accepting me for who I truly was, I’d rather be alone.

My tastes had me labelled as a weird ‘mosher’ by the time I was 11. I got used to having people not want to sit next to me. Asking me things like, ‘Are you a Satanist?’ or shouting the classic line across the street, ‘Is it Halloween already?’

I grew accustomed to the idea that I probably wouldn’t be accepted unless I changed my interests and my appearance, and might not ever fit in anywhere.

Yet the more alternative white girls weren’t afforded the same treatment by our peers. Their expression didn’t need to be policed.

Even when I tried to immerse myself in goth culture in the local alternative crowd – which was almost entirely white – I found that I wasn’t welcomed as kindly as my white girl friends were.

One non-school uniform day, I proudly wore my skulls, ripped sleeves, wristbands and chains. I felt amazing. I thought I looked cool, but was instantly told I did not when I entered the school grounds.

But as Avril Lavigne’s song Girlfriend became a hit, and my white classmates emulated her fashion, it was great, apparently.

I became the outsider seemingly based on the colour of my skin.

It was something my mother had warned me about. ‘Some of those kinds of people don’t like black people,’ she had told me as I insisted on putting punk band posters on my bedroom walls, most likely remembering the segregated subcultures of her youth.

But I could never get my head around why alternative groups are perceived as being a white thing. Why our racial identity is called into question when we listen to rock or heavy metal music – genres that wouldn’t exist without the contributions of black musicians in the blues genre.

The ‘first’ heavy metal album – Black Sabbath’s self-titled release in the 1970, was practically a heavy blues album.

Many elements of alternative fashion are deeply inspired by international cultures, from Japan to Africa, to India. There have been black alternative communities across the world for decades or longer. 

But if you turn on the rock music channels, go onto the alternative clothing websites, look in the alt-fashion magazines, on the blogs, the ads, or even fictional portrayals of alternative people on TV and in films – the chances are that you will only see white faces.

If there was more representation for alternative people of colour, it would change people’s ideas of what ‘alternative’ looks like.

Maybe then, alternative black kids wouldn’t feel so alienated. Maybe then, the phrase ‘That’s not for you’ wouldn’t be heard so often from those we call friends, family, or even just gatekeeping strangers – at festivals, gigs, family gatherings or online spaces where we thought it would be alright to express ourselves.

Maybe then, black kids would feel more comfortable expressing themselves in unconventional ways with the knowledge that they would be accepted by all sides.

I’ve spent over half of my life being invisible and being told that I can’t be myself. 

So, this World Goth Day, let’s celebrate all goths, no matter their colour. 

Do you have a story that you’d like to share? Get in touch by emailing jess.austin@metro.co.uk

Share your views in the comments below.

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An activity once reserved for 10-year-old birthday parties has been making a comeback over recent months.

The Love Island gang have been seen having a go on their Insta Stories and TikTok users have been sharing impressive videos of their own choreographed attempts.

We are, of course, talking about rollerskating.

Roller skates are back for 2020, but this time it’s adults – rather than kids – taking to the floor.

Google Trends has shown a recent surge in searches for ‘roller skates’ and skate companies have been experiencing a dramatic spike in sales.

Earlier this year, skate brand Impala told Buzzfeed: ‘Demand has definitely been off the charts, and we have been hustling to keep all sizes and colours in stock.’

But adult shoes have received a sophisticated upgrade from the glittery, Disney-heavy boots from childhood.

Here are some of the best roller skates to buy as a grownup:

 Bubblegum Skates, Amazon, £52.00 – £84.03 

These bubblegum-inspired skates are perfect for anyone looking to live out their Miami beach fantasy.

There are two different shades to choose from: pastel pink or sky blue.

Rookie Authentic V2 Skates, Amazon, £32.61 – £84.82

These trainer-like skates are great for everyday wear and – if the Amazon reviews are anything to go by – they certainly won’t disappoint.

Rookie Classic II White Rollerskates, Slick Willie’s, £64.99

Hark back to early noughties roller discos with these white and red skates. They also give off a 1950s American diner feel to them, which we are totally here for.

Chaya Melrose Supreme Classic Dance Roller skates, Skatepro, £139.95

For something a little simpler, these black skates pair well with most outfits. They’re also vegan-friendly as they’re made out of faux leather.

Soy Lunar Skates, Skatepro, £61.95

These monochrome boots are the ultimate crowd-pleaser and take their inspiration from classic figure skating attire. 

Chaya Melrose Deluxe Skates, Skatepro, £89.99

Go bold with these turquoise boots complete with eye-catching fuschia laces.

On its website, Loco Skates also says the Chaya Melrose design is extremely comfortable and fits ‘just like a sneaker’.

SFR Figure Roller Skates, Slick Willie’s, £49.99

These retro white boots are finished with green pastel streak, which adds a touch more interest but still retains the classic no-frills style.

Although, currently there’s only smaller sizes in stock.

Moxi Beach Roller Skates, Loco Skates, £199.99

These high-cut, vinyl boots are drum-dyed to create the perfect peachy hue and have purple glitter wheels for a nostalgic twist.

Powerslide Skates, Decathlon, £99.99

Anyone prioritising speed should opt for the ‘in-line’ variety of roller skates.

These black and white ones have a ‘flat’ assembly of wheels, with a built-in H-block for individuals to move and glide more easily.

Rollerblade XL, Decathlon, £199.99

These black and red skates have a removable boot which – according to the Decathlon website – ‘provides comfort and ensures good breathability and support’.

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They’re not quite the collab partners you might expect, but Ben & Jerry’s have teamed up with Nike SB to create a pair of kicks.

The Chunky Dunky dropped today in stores, and will be available on online platforms as of May 26th.

In the classic Nike Low Dunk style, B&J’s have put their stamp on things, with cow print and the colours from their iconic tubs emblazoned along the outer.

The bovine accents on the sneakers are textures to look like they came straight from the cow, while the blue and green signify the lush fields and clear skies where their dairy livestock graze.

Colourful tie-dye patterns and bold text graphics cover the shoe’s insole and heel like the swirls inside the ice-cream brand’s pints.

If you want to get your hands on the limited run, you can do so at certain retailers now.

Pop your location into the Nike SB store locator here. There are locations throughout the UK, but you’ll have to be quick to nab a pair as the Chunky Dunky are very sought after.

As of May 26 the trainers will be available on the Nike Sneakrs platform, and you can sign up to be notified with the exact time the release will go live.

As with any limited sneaker drop, the Chunky Dunky are already available on StockX, but they’re not cheap.

With prices over £1,000 a pair, you’d have to be a real sneaker-and-ice-cream-head to fork out.

Feeling lucky? Ben & Jerry’s are running a competition to win a pair totally free. All you need to do is write 100 words about an ice-cream inspired skateboard trick (giving it as inventive a name as possible a la their flavours).

The competition closes on Tuesday, so get skating and thinking.

Do you have an interesting story to share?

Get in touch at MetroLifestyleTeam@metro.co.uk.

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Let’s get real: unfortunately, the face mask isn’t going anywhere anytime soon.

Some people are making their own – such as the popular ‘sock mask’ – while others, like Mindy Vincent, have started an entire business around the now everyday item.

And although they were made for safety reasons, the entrepreneur decided to have a little bit of fun with the design.

Introducing: the ‘c**kblock corona’ – a mask that features lots and lots of dicks, in all shapes and sizes.

Because what better way is there of keeping people at a two-metre distance than by having penises all over your face.

Visit our live blog for the latest updates: Coronavirus news live

The mask was created as part of a campaign to raise money for Mindy’s charity, Utah Harm Reduction Coalition (UHRC), which treats people with substance abuse issues, provides assistance to register for Medicaid (the federal and state US programme to help those with limited income access healthcare) and offers HIV and hepatitis C testing.

When first launched, the dick-themed corona masks quickly sold out with 5,400 people getting their hands on one.

Buyers were also encouraged to take a photo of themselves wearing the c**kblock corona and sharing it on social media under #ProjectPenisMask.

Along with the help of her son, she tells KUTV that they have been working up to 20 hours per day.

The money raised – £100,000 so far – will go to buying a new van for the charity’s syringe exchange programme, among other bits.

It comes at the ideal time, as funding for the charity was about to run out at the end of summer.

With demand for the inventive masks still going strong, so Mindy decided to order material for more masks and they are now in stock once again, with plans to make another 19,000.

And they’re not just selling in her local area or country – people are ordering them from all over the world, including Brazil, Germany and Japan.

But… why dicks?

‘It kindly lets them [people] know this is how I determine they are too close, kindly back the f*** up,’ Mindy told KUTV.

We can’t argue with that.

If penises aren’t your style, Mindy is also making boob and vagina-themed masks.

‘This is unbelievable and just crazy,’ she adds.

‘I am so grateful because of the struggles it is to run a harm reduction non-profit organisation, it’s great to see so many people supporting our cause.

‘The end result is the same, it will help so many people.’

Do you have a story to share?

Get in touch by emailing MetroLifestyleTeam@Metro.co.uk.

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If you want to give your work-from-home footwear an upgrade (or just want to see where you’re going when shuffling from the living room to the bedroom at midnight), you’re going to be keen on the Chaos Fishing Club x Crocs collab.

The partnership is launching shoes that look like your standard classic white Crocs clog in the daylight, but glow in the dark if you turn the lights off.

They’re also available with 3D charms you can stick through the holes of the Crocs, swap out, and remove, to add some extra style to your footwear.

We guess you could wear them as a statement piece when out at night, or just enjoy as a flashy update to the slippers you shove on when you take the bins out on a Sunday evening.

The collab features BEAMS T, too, and also includes socks and T-shirts.

The Chaos Fishing Club x Crocs Classic Clog will be priced at ¥9,800 (around £75), but will likely be bought up and speedily put on ebay at an inflated price – so if you’re keen to get glow in the dark plastic kicks, move quickly.

The T-shirt, meanwhile, will be priced at ¥6,000 (£45) and the socks will be ¥3,200 (£24).

The collection will launch at BEAMs T on 30 May. Mark your calendars.

H/T Hypebeast.

Do you have a story to share? Get in touch by emailing MetroLifestyleTeam@Metro.co.uk.

Share your views in the comments section below.

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Gucci will cut the number of fashion shows they holds every year from five to two as their creative director declares ‘clothes should have a longer life’.

The label will hold two ‘seasonless’ shows in an effort to reduce waste.

Alessandro Michele, the company’s creative director said: ‘Clothes should have a longer life than that which these words attribute to them.

‘Two appointments a year are more than enough to give time to form a creative thought, and to give more time to this system.’

Traditionally, they would be preparing to show a new collection at Milan fashion week in September but have no plans to do so this year.

Shows have been cancelled due to the coronavirus pandemic but Gucci declared that even when the situation is under control, they will not return to the same system.

Alessandro Michele’s comments were made during a live-streamed press conference but they follow on from an Instagram post around the issue of over-consumption.

It said: ‘Above all, we understand we went way too far.

‘Our reckless actions have burned the house we live in. We conceived of ourselves as separated from nature, we felt cunning and almighty.

‘We usurped nature, we dominated and wounded it. We incited Prometheus, and buried Pan.

‘So much haughtiness made us lose our sisterhood with the butterflies, the flowers, the trees and the roots. So much outrageous greed made us lose the harmony and the care, the connection and the belonging.’

Gucci is the first major fashion label to make the change, although Yves Saint Laurent (which is owned by Kering, Gucci’s parent company) previously said it may ditch the fashion calendar.

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If you’re looking to add a few tops to your wardrobe for summer, you can pick up a box of high-street clothes for half price right now.

The idea behind Lost Stock boxes is for people to buy up some of the clothes that were left when retailers cancelled $2 billion (£1.6 billion) worth of orders due to coronavirus.

The clothes have already been produced and if they don’t make their way to stores, they could end up in landfill.

But the cancelled orders also mean that the factory workers in Bangladesh who make the clothes are not receiving any money and face starvation.

Over a million workers are already estimated to have lost their jobs due to these unprecedented cancellations.

So for £35, you can pick up a box of high street clothes that would cost you £70 in store.

Each box will support a worker and their family for one week and the Lost Stock team are aiming to help at least 100,000 families. So far, they’ve sold enough boxes to help over 74,000.

You can select from womenswear or menswear and answer a few questions about your style.

Sizes range from XS-XXL for men and size 4-6 to size 20 for women.

At the minute, they are focusing on tops and t-shirts as it’s harder to get the right fit in bottoms (though they are looking at extending it in the future).

Each box will contain at least three tops. They won’t have brand tags as the orders were cancelled but everything was due to be on high street shops this summer.

Boxes will be delivered in six to eight weeks time so it’s a real surprise treat for the future.

You can find out more about Lost Stock boxes on their website.

Do you have a story to tell? Let us know at metrolifestyleteam@metro.co.uk.

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Anyone who has ever been to a Primark store knows that unless you go at off-peak hours, you’re bound to rub shoulders with a few hundred people, as you wrestle for super cheap fashion buys.

Prepare yourself – with hand sanitiser and a face mask – because the retail chain has just revealed the opening date for its 189 UK stores, and it’s bound to get busy.

Doors were shut back in March, when lockdown was first announced, and the effect has ‘resulted in a loss of sales of approximately £650m every month that all stores were closed’.

But things are looking up for the high street fashion chain.

Prime Minister Boris Johnson recently told the public that non-essential stores will open soon, if the R rate is kept in check.

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And it appears that Primark is on the good-to-go list, as the company shares it will reopen branches from Monday 15 June.

However, it won’t be a mad rush to grab the nearest bargain jeans or summer dresses – safety is the company’s ‘highest priority’, with measures in place so that social distancing rules are followed.

‘Social distancing protocols, hand sanitiser stations, perspex screens at tills and additional cleaning of high frequency touch points in the store are among the measures we are implementing,’ said British Foods, owners of Primark.

‘These measures are designed to safeguard the health and wellbeing of everyone in store and to instil confidence in the store environment.’

Apparently, feedback from customers and workers has been ‘positive’ so far, according to the company.

In other fashion news, you can now buy a mystery box of high street clothes with 50% off to help struggling factory workers.

Known as Lost Stock boxes, they contain clothes from cancelled orders where the clothes have already been produced and could end up in landfill, unless sold.

Each box supports a worker and their family for one week, and the Lost Stock team are aiming to help at least 100,000 families.

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National Geographic is known for stunning imagery of the world around us.

And now – they’re putting some of those amazing pictures on shoes, so you can see them all day long.

Vans has teamed up with the magazine to create a new range of trainers and clothing.

The Vans x National Geographic collection launches today on their website.

It features five styles in the adult range, some of which are carried across for kids too.

One features some of the classic covers of the magazine, while others have a single stunning picture from the National Geographic collection.

We love the navy ocean print authentic shoes with fish swimming over the toe and the animal print trainers featuring lots of different creatures.

Prices for the adult shoe range start at £57 and for kids, prices start at £33.

There’s also a range of t-shirts, long sleeve shirts, bags and hats in the classic National Geographic black and yellow colours.

There’s also an option to create custom shoes featuring a selection of National Geographic photographs.

The Vans website explains: ‘Vans and National Geographic come together to celebrate 130 years of the never-ending quest to explore. Choose from a gallery of National Geographic photographs to create your very own Vans Customs.

‘From the depths of outer space to the plains of Africa, get inspired by the beauty of nature and unleash your creativity on classic Vans styles.’

Do you have a story to tell? Get in touch at metrolifestyleteam@metro.co.uk.

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Summer is officially back, and so is Pride.

Throughout the month of June, the world will celebrate the LGBTQ+ community – but unfortunately, it will look a little different this year.

Back in March, founders of the Pride in London parade announced that the event would be cancelled in 2020, to ensure that people remained safe during the pandemic, and other events have been cancelled across the country, as well.

But this doesn’t mean there aren’t other ways you can show support for LGBTQ+ people.

Many organisations and charities are selling rainbow-themed merchandise, and this year’s edition to the many t-shirts and flags is the most popular retail item of 2020: the face mask.

To honour Pride, we’ve rounded up some of the best rainbow-coloured masks on sale right now.

Before we go on, please note that these are not NHS-supplied PPE masks. Read the product descriptions before you purchase the mask, so that you have all the information regarding materials etc.

Gay Pride Shop, £8

Gay Pride Shop was launched a gay couple in Manchester.

Not only will you look stylish in this face mask, but you’re also supporting a good cause, as 30% of all profits from the website goes to charities including The Albert Kennedy Trust, The George House Trust and Mermaids.

There are several designs to choose from, but this one is made by Daniel Quasar and has two layers – polyester on the outer side, and a cotton inner lining with anti-bacterial and anti-fungal treatment.

You can also find a built-in pouch for mask filters, and the product is fully machine-washable.

Etsy, £11.30

Like the message but not a fan of rainbows? Try this ‘love is love’ design from a seller on Etsy.

The unisex mask has seven layers, including a five-layer ‘activated carbon filter’, but note that the description says this is not ‘meant to provide medical protection’.

Nevertheless, it’s a very cute mask and what makes it even nicer is that £0.50 of every sale will be donated to the NHS. Out of every 1,000 masks made, 5% are also donated to people in London who are in need of masks but can’t get one.

There are two versions, one for kids and one for adults – both of which are reusable and washable.

Zazzle, £12.65

If you like a classic rainbow flag design, but with a twist – in this case abstract watercolour – Zazzle has one for you.

This face mask is made from 100% polyester, with the outer side a poly sheeting and the inside poly microfiber.

It features over-the-ear elastic straps and the brand says that one size should fit most faces. The product also has an insert slot where you can pop in a surgical or disposable mask, as an ‘additional barrier to fluids and particular materials’.

But beware if you have sensitive skin, as the product has not been tested for this and according to webMD, you are more likely to get a rash – i.e. textile dermatitis – from items made from synthetics, such as polyester.

That’s not to say you will, but it’s always good to stay on the safe side.

Wild Bangarang, £7.50

Fancy something a bit jazzier than your average rainbow?

Wild Bangarang has created this sparkly mask – handmade in east Sussex – which features kids, small, regular or large sizes, depending on your requirements.

As for the materials, the front is 80% polyester/20% elastane, while the filter is made from 100% spun-bonded polypropylene and the lining is 92% polyester/8% spandex.

During the pandemic, the company has been raising money for the NHS – if you’d like to donate the standard £2, you can add this at the checkout.

Or simply send £2 to an LGBTQ+ charity instead.

Etsy, £18.00

There isn’t a whole lot of info about this mask, but you could always ask the seller for more info before you buy.

It’s made from ‘top quality fabrics and elastic’ (again, doesn’t specify what kind), is machine-washable and reusable.

Each mask is handmade to order, with small, medium and large sizes available.

If you already have a good supply of face masks, you can also support the LGBTQ+ community by donating money to a charity of your choice.

From Pride in London, which will return in 2021, to The LGBT Foundation, Just Like Us or Stonewall – there are plenty of organisations to choose from.

Do you have a story to share?

Get in touch by emailing MetroLifestyleTeam@Metro.co.uk.

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We’re all used to the words social distancing now but if you still aren’t sure how far two metres actually is, a shoemaker in Romania has come up with an idea to keep people apart.

Grigore Lup, from the Transylvanian city of Cluj, created long-nosed leather shoes to help keep people apart and respect the rules of social distancing.

They’re labelled as a European size 75, which is difficult to translate into UK sizes but to put it into context – a UK size 14 is only a European size 49.5.

Grigore, who has been making shoes for 39 years, said: ‘I saw people crowding and not respecting the social distancing rules and I said to myself let’s make a shoe either to punish them or that they could actually wear (them) and maybe that way they will keep the distance.’

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If two people wearing his size 75 shoes faced each other, there would be almost one-and-a-half metre distance between them (so you still need to leave a step between you to follow the two metre rule).

He adapted the idea from long footwear he made for actors.

He’s already received five orders for the shoes, which costs 500 lei (£92) and take two days to make.

The 55-year-old started making shoes when he was 16, learning from a cobbler who is 93 and still making traditional footwear today.

Grigore opened his own shop in 2001 and he sells ready-made shoes but relies heavily on custom orders from theatres and opera houses across the country, as well as traditional folk dance ensembles.

His business ground to a virtual standstill as live events were cancelled or postponed due to the coronavirus pandemic.

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Protective personal equipment has been a major issue for hospitals around the world as they battle the coronavirus outbreak.

Many frontline workers have had to rely on donations or source their own.

But standard face masks don’t tend to cater to those who wear headscarves or other religious coverings.

So American-Somali model Halima Aden has used her fashion skills to create face masks for hijabi frontline workers.

The 22-year-old has teamed up with fashion startup Anywhere to design alternatives to N95 masks that allow easy use for anyone with a hijab.

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The model was delighted for the opportunity and bought her first-hand experience of working in a hospital as a cleaner to the role.

It’s not Halima’s first stint in fashion design as the influencer has also created headscarves in collaboration with Turkish modesty brand Modanisa.

Halima’s new designs come as a report shows that the coronavirus risk is higher for ethnic minorities.

For her collection, Halima designed easy-to-use masks that turbans and hijabs can integrate seamlessly into.

‘I wanted something that would bring joy to the patients and the healthcare workers,’ she told Vogue.

‘When it came time to design the sets, I chose shades that I associate with peace instead of the standard white; colours that just made me feel good looking at them. Ease of wear was also essential.

‘This is giving people the tools to feel comfortable and do their job to the best of their ability.

‘There are so many hijabi women working in healthcare, and their comfort is as important as anyone else’s in the workforce.’

Halima says she understands the importance of sanitation, having cleaned hospital rooms prior to becoming the world-renowned model she is today.

At the time, Halima struggled to pin protective masks to her hijab and would need to use lots of pins to keep them in place.

So in her own designs, Halima added strings and a button for easy use.

You can shop the range on the Anywhere website where the creators will send a mask to a frontline worker for every purchase made.

Do you have a story to share? Get in touch by emailing MetroLifestyleTeam@Metro.co.uk.

Share your views in the comments section below.

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British Vogue is breaking with their usual approach to who goes on their magazine covers – a space normally reserved for A-list celebrities and supermodels.

In the age of a pandemic, the iconic magazine has devoted its cover for the July 2020 issue to honour key workers who have been working tirelessly during the lockdown. 

Gracing the front cover is Anisa Omar, 21, who works as a supermarket assistant at Waitrose in King’s Cross.  

She graces the magazine along with two other frontline workers who appear on a special gatefold cover.

The three different versions of the magazine will feature Anisa, London Overground train driver Narguis Horsford, and midwife Rachel Millar – who will each take a turn on the front.

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The decision to use non-celebrities for the cover was taken by editor-in-chief Edward Enninful OBE.

‘This moment in history has seen society shift its attention on to some of the people who are not usually afforded the spotlight,’ he explained online.

‘I am proud that British Vogue’s July issue is able to provide a special moment of thanks to the NHS and everyone on the frontline saving lives every day. 

‘Our trio of cover stars represent the millions of people in the UK who, at the height of the pandemic, in the face of dangers large and small, put on their uniforms and work clothes and went to help people.’

We caught up with Anisa to see what it’s like being on the cover of one of the most prominent magazines in the world.

She tells Metro.co.uk: ‘It’s been quite a strange experience going from someone who is quite overlooked to now being identified as a key worker.

‘At the end of the day, I get up, come to work, do my job, and try and help people. It’s been lovely to see the kindness the customers have been showing all of us, it definitely feels as if we are all in this together.’

Also included in the tribute is the person photographing them – fashion photographer Jamie Hawkesworth, who has previously shot models including Kate Moss and Gigi Hadid.

Jamie spent two weeks photographing frontline workers for the historic edition, which includes portraits of NHS staff, delivery drivers, teachers and MPs across 20 pages in the issue.

Being photographed by Jamie was a huge deal for Anisa, who has two siblings that also work in other Waitrose branches.

She adds: ‘I don’t think it will really all sink in for a while, and maybe not until I see the magazine displayed as I’m going about my business and working.

‘Jamie was so lovely to me and made me feel completely at ease, even if I was a little nervous and had to do my own makeup!’

For Anisa, working during the pandemic hasn’t been too stressful and her colleagues have made it easier.

She says: ‘My shifts have been the same, even if my responsibilities can be a bit different day-to-day.

‘We have screens and gloves and masks you can wear so I feel safe. I was a bit worried about it all at first but actually my colleagues were the thing that kept me going.’

Anisa says that it’s nice to feel appreciated as she and her key worker siblings work to keep the country running.

She hopes it’ll last in the future.

‘I hope the country will have a new appreciation for supermarket workers but I think that goes for everyone in all different jobs. The kindness we’ve seen over the past few months have been lovely and I hope it continues.’

The new issue of Vogue will be available from Friday 5 June. 

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With masks now mandatory in some public spaces in the UK, such as hospitals and on public transport, it’s high time to invest in a durable product that will last you throughout the pandemic.

If you don’t fancy making your own from a sock or a T-shirt, there’s a new eco-friendly option on the market: masks made from discarded fish nets.

The Thyra mask, as its known, was invented by Solveig Starovic, a mum based in Dorset, and is made from regenerated eco nylon – sourced from recycled plastics found in landfills and oceans, such as fish nets.

Thyra’s hyper-resistant and stretchable material also features a two-way filter of melt-blown, non-woven polypropylene that, according to the brand, blocks over 95% of particles of at least 0.3 microns in size.

It’s also very stretchy, made to fit as many face shapes as possible.

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What’s more, the product is also machine-washable so you can keep it clean and it can be ironed on low heat.

Solveig created the prototype for Thyra at her kitchen table; it was inspired by her love of cycling and the environment, with the mask adapted from an original sports mask that she has also designed.

‘I’m a keen cyclist but air pollution really concerns me, so I initially started looking into a mask design that could be worn with a focus on maximum protection through very high filtration, while maintaining comfort and breathability,’ Solveig tells Metro.co.uk.

‘ I did a lot of research into different materials.

‘My life has always been very connected to the sea but the amount of plastic in our oceans is shocking and I’m a firm believer that the future is only possible with sustainability, so when I discovered an eco-nylon that uses regenerated plastics including discarded fishing nets, it ticked every box in terms of its quality, performance and eco benefits.’

The mask, which costs £19.99, comes in two colours: latte and mocha, and each order includes one high-purity filter.

Replacement filter packs of three will cost an additional £11.99.

Part of the profits from each mask sold will also be donated to the NHS.

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Don’t get me wrong, I have missed losing an afternoon meandering through vintage clothes shops and sale rails, battling with elbows to find that perfect dress.

Now, however, the thought of venturing into the ‘New In’ section makes my stomach drop, as the move for shops to re-open today feels too soon, too scary, and surprisingly anxiety-inducing for many.

One thing I didn’t expect to come out of lockdown was a dramatic change in my relationship with retail and fashion. 

Before coronavirus confined us all to our homes, I would spend countless hours on Oxford Street browsing in shops. That was until I realised I had no money and shouldn’t be there at all. Despite that, it was fun. It was leisurely – and a distraction. 

Without the sequins and tulle clouding my vision over the last 12 weeks, however, I have been able to really see the fashion industry for what it is – flaws and all.

Whether it be a pay gap, or a lack of diversity in head offices, worker conditions or commitment to sustainability, it is obvious to me that big fashion brands have a long way to go before they take my money again. 

One report I came across revealed that Boohoo – one of the UK’s largest fast fashion retailers – was paying staff in Leicester between £3.50-£5 an hour, well below the UK minimum wage for over-25s of £8.21.

As a result, #BoycottBoohoo has been trending throughout the UK in the past two weeks, with many people examining the ways in which black and indigenous people are mistreated and exploited throughout the whole supply chain of companies.

Paying them a non-living wage around the world highlights how this problem disproportionately impacts black workers and people of colour within these systems. 

Boohoo aren’t alone though. Following the publication of a report in 2019 by the Environmental Audit Committee (EAC), there were five other retailers, including JD Sports and TK Maxx, that didn’t sign up to two target-driven reports.

The first being the ‘Action, Collaboration, Transformation’ labour agreement looking at ensuring the rights for workers is properly impacted by implementing a living wage. The second being the Sustainable Clothing Action Plan (SCAP), which sets targets for brands to reduce their carbon footprint, water usage and overall sustainability practices.

This breathing room that lockdown has given us, as well as scandals and boycotts of retail giants, has meant that social media has become a haven of independent business owners having a moment to shine. I know that I have learnt about so many small brands doing fashion responsibly, that I had never heard of before, including Lucy & Yak and independent designers such as Cat O’Brien and Rip It Up Vintage. 

Whether it be a queer-owned designer, or a brand focusing on discarded materials and upcycling, these past few months have shown us the possibilities of sustainable fashion. It’s lit a fire in me, and many other incredibly stylish and gorgeous human beings, to rediscover the talent and uniqueness that fashion can offer. 

I fear for my finances more than ever before so I’m not about to start throwing money about

And then there is the practical side of going back to the shops – even if there are meant to be measures for social distancing in place.

The Chancellor Rishi Sunak last week stated in an interview that it’s time to get the economy up and running again, but this prioritisation of profit before people can only pose the question, do people even want to go shopping again? 

Social anxiety has taken hold of many of us during lockdown. I, for one, feel like I am moving down on the see-saw, plummeting into a stress that I didn’t see coming. 

Surprisingly, the idea of taking non-urgent trips to physical shops with other people is not a comforting thought right now. There is so much worry and stress that comes with reintroducing yourself to the world. 

How could being told to ‘Stay at home’ or ‘Stay Alert’ – whatever mantra you decide to inhale – not make you re-evaluate your life before this pandemic? 

Like many self-employed people, I fear for my finances more than ever before and I’m not about to start throwing money about either. 

I understand that some people may want to go back to wandering around John Lewis aimlessly, resulting in the purchase of a five in one colander, but I struggle to fathom how this is the top priority right now. 

Of course we need shops to open up again so we can purchase goods, workers can begin to go back to work, and businesses can begin to think of what they’re going to quickly throw on their Pride windows.

But we have to be more considerate of where we shop. Many people are currently in the midst of the hardest times of their lives, mentally, physically, and financially. Misconceptions surrounding independent shops include the idea that it’s more expensive – however, often shopping vintage and not opting for fast fashion is not as costly as we would think, with the quality also being much higher.

I for one won’t be going back to the high street having learnt about all the ways retail could be doing better for their customers, their workers and the environment. 

I just hope the big brands have used this period while their doors have been shut to reflect too. Perhaps they will all now have an ethical and socially sustainable model at their core. 

Perhaps not. 

If anything, coronavirus has enlightened many of us to the possibilities of – gasp – not shopping on the high street. 

We’ve coped with not flooding our wardrobes with new clothes for the past three months, and have been able to witness small businesses online find new footing in a world that favours the digital.

Remember those businesses when you’re in the six mile queue in Primark and realise how your continued patronage can stop them from being forgotten. 

Be sustainable, question things and be critical. Continue to ask yourself if you truly need to be joining the masses returning to the high street this week.

Do you have a story you’d like to share? Get in touch by emailing claie.wilson@metro.co.uk

Share your views in the comments below.

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Shops may be (slowly) opening once again, but shopping right now is still quite a different experience to the pre-coronavirus style we’re used to.

From socially distanced queues and one-way systems round the aisles to closed-off changing rooms, it’s going to be challenging to buy clothes without immediate buyer’s remorse.

How do you make sure clothes fit you when you can’t try them on? And how can you make sure you spend wisely when you’re being carefully herded around a store, knowing that to get another go you’ll need to brave a massive queue again?

Handily, personal stylist Susie Hasler, who runs Styled By Susie, has shared her tips for successful clothes shopping amid Covid-19.

Make a list and stick to it

‘It might sound a little OTT, but the better prepared you are to hit the shops, the less time you’ll spend browsing and lingering in stores,’ says Susie. ‘Once you’ve made it into the shop of your choice, the last thing you’ll want to do is forget some of the items you wanted to buy, or just grab what you think will work – as I guarantee it will result in you having to make a second trip to return items.

‘Before heading to the shops, you must make a plan.

A list is your friend. Have a specific idea in mind of what you want to shop for. Take a look through your wardrobe beforehand and identify any gaps you have.

‘Do you have lots of lovely summer skirts but no tops to go with them? If so, make a note of the colours of the skirts and which hues would complement them. Or do you need summer shoes? Have a style in mind – do you want flats, or sandals or wedges or trainers?

‘Add all these items to a list, so that the items you will be buying will make a complete outfit.

‘Then write down a list of shops you want to go to. Browse online to see whether they have anything you particularly like, and want to see ‘in the flesh’. Take some screenshots on your phone so that you have everything at your fingertips, and you can easily find items when in store.’

Wear something comfy

You’re going to be queuing for longer than usual – to get into the shops and to pay, too.

Wear comfortable shoes and bring snacks and water, just in case.

Take your measurements

As most stores’ sizes come up differently, and you won’t be able to try on items in shops, finding something that fits is going to be tricky.

Susie recommends taking your measurements before you hit the shops, taking note of your leg length, hips, waist, shoulders and bust. Then cross-reference these with size charts of the shops you plan to visit online, again making note so you can easily check when you’re in the shop.

It’s also helpful to look through your wardrobe and check what sizes you’ve bought from different stores, so you can make a note of whether they run a touch too small or are massively oversized.

‘It’s probably wise to play it safe and head to familiar stores while changing rooms are closed,’ Susie adds.

‘Shops such as Zara, H&M and Mango are less generous with their sizing, compared to Next and M&S. This means you might need to size up once or even twice.

‘Also check that the size noted on the hanger is the same as what’s on the label – there’s nothing more frustrating than buying an item only to find it has been placed on the wrong hanger!

‘If you’ve measured yourself at home, pop a tape measure in your bag and compare the items of clothes you want to buy to ensure they’ll fit without having to try them on.’

Check your store’s return terms

Many shops have extended their returns and refunds deadlines, knowing that with changing rooms closed, people may need to exchange items that end up not fitting properly.

Check this in advance – and see if your chosen shops allow you to return items by post, which will save you an additional trip.

If your chosen store has an easy (and free) returns system, you can bypass the changing room dithering by just grabbing different sizes of the same item, taking them home to try them on, then sending the one that doesn’t fit back.

Don’t allow random impulse buys

‘Shopping post-pandemic means an end to hours of browsing – for now,’ says Susie. ‘You’ll also want to shop effectively, which is also good for the environment, and that means not just grabbing items of clothing for which you don’t have an outfit in mind.

‘I have carried out hundreds of wardrobe declutters on women who have countless items still with the labels on as when they got them home, they realised they had nothing to wear them with.

‘You may opt for a pretty printed skirt, but when you get it home you realise you have nothing to wear with it.

‘Not having enough basic items is the reason behind the saying “I have too many clothes but nothing to wear”.

‘Basics are “boring” items – the T-shirts, vests, cardigans and knitwear – that act as the glue to pull so many more outfits together. 

‘A basic white T-shirt, for example, can be worn with jeans, with a co-ord suit, tucked into a pleated skirt or under a pair of dungarees. Just that one T-shirt will give you at least four different outfits! 

‘You can’t beat a basic, and if you aim to stock up on vest tops and tees, you can be safe in the knowledge that they will go with anything you wear on the bottom half. ‘

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A time-warp teenager has splashed out £10,000 trying to live like he’s in the 1940s.

Charlie Roy, 19, from Milton Keynes, says his obsession with the 40s began when he was six.

The fascination started after listening to stories his great-grandma told him about working in a powdered egg factory during the second world war.

As Charlie grew up, his interest in the era snowballed and he has now accumulated over £6,500 worth of memorabilia from the 30s, 40s, and 50s.

He has also spent a further £3,500 on tweed jackets, Oxford bag trousers, and military uniform so that he can dress like his WWII veteran great-grandfather, Ron.

Despite amassing enough memorabilia to fill a small museum, the teenager has no plans to slow down his collecting anytime soon.

The next purchase in Charlie’s sights is a classic Austin 7, which he dreams of learning to drive in.

Charlie said: ‘I’ve been into all things vintage since I was six years old.

‘My great nan Peggy used to work in a powdered egg factory in the 40s and my other great-grandma Helen worked at the Handley Page Factory in Cricklewood, building Halifax Bombers during the height of the war.

‘I was captivated by their stories from a young age.

‘The world they described seemed like a completely different world to the one I had been born into.

‘Style was so much better back then and everything was far more elegant.’

Over the years Charlie has collected hundreds of vintage items, including a bike, typewriters, gramophones, projectors, and RAF memorabilia – either buying them himself or being handed them down by family and friends.

His most valuable hand-me-down is a £500 gold pocket watch which was sent back to his family from the trenches after his great, great granddad died in the First World War.

Charlie used to get his suit jackets and Oxford bags trousers handmade by taking photos of people from the 40s into his local tailors and asking them to replicate their clothes but has recently taken to sewing his own clothes.

‘I never met my great-granddad, but I feel a connection with him through dressing as he would have,’ said Charlie.

‘It’s not so much the military aspect that interests me. I’m not bothered about how much horsepower the Spitfire has.

‘What interests me is how social conduct has changed between then and now.’

Charlie, who returned from living in Dubai for ten years last June, has plunged himself into the UK’s thriving vintage scene – winning runner up for Mr. Vintage UK at a festival in Twinwood.

Charlie added: ‘I got quite heavily bullied when I was younger, but when we moved to Dubai in 2010 that changed.

‘There are so many different nationalities there and people are more accepting of people who’re a little bit different.

‘You can get away with it more than having to dress in your tuxedo every time you pop out for a meal.’

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